FREEFLY ALTA 6
This heavy-lifter drone supports the Movi M15 allowing you to fly cameras such as Alexa Mini, RED or Sony F55, providing superior image quality, elevating your production level all the way through post. The Alta comes equipped with the ability to mount the camera on either the top or bottom. This unique feature opens up a wide range of shots unavailable in a traditional bottom mounted drone and when paired with our Movi remote we have the capability to control iris, zoom and focus making the possibilities from the sky endless.
The Inspire 2 Zenmuse X7 is our most requested drones in our fleet! This drone takes everything that was good about the Inspire 1 and improved it substantially. Capable of recording up to 5.2K in CinemaDNG RAW, Apple ProRes, and it's ability to accelerate from 0 to 50mph in just five seconds, no doubt why everyone loves this drone.
INSPIRE 1 PRO
Inspire 1 Pro Zenmuse X5/R - If you want portable, quick, affordable, high image quality then the Inspire One Pro with Zemuse X5/R is your drone. We have hiked this drone up the side of mountains and taken it out to sea on ships, it never disappoints. The Zemuse X5/R is an ultra stable micro 4/3rd size sensor camera with an array of lens choices from Olympus including 12mm, 15mm, 24mm, and 45mm. We can glide this bird solo or with a team of two in dual operator mode for more stunning cinematic shots bringing the production value of your show into the sky.
Defy Dactylcam Pro
Designed and engineered for broadcast, live events, and feature films needing higher capacity payloads, redundant safety features, and the power to perform in harsh environments. This cable cam supports any gimbal allowing you to glide cameras such as the Alexa Mini, RED or Sony F55, and gives you the capability of getting the shots that a drone would not be typically able of flying through safely. With the adjustable speeds at 30+ mph, quick turn-around for getting multiple shots, and ability to pair with our Mōvi remote, it’s no wonder why this piece of equipment is getting so much attention.
HIGH SIGHT PRO
Our most versatile cable cam yet with quicker setup times, smaller lines, lighter payloads, and it’s low-noise operation, it’s no wonder why this has become everyones favorite cable cam! It’s able to carry gimbals like the Ronin-S, any of the MōVI Products, and any gimbal of similar size. Soon you’ll be gliding straight to the shots you deserve!
HIGH SIGHT Mini
The smallest and the quickest setup for a cable cam ever! This thing can be up in minutes to get you the shots you’ve never been able to achieve before! Whether you want it inside a restaurant, strung through the woods, or at a sporting event, we can have it up in no time! Rigged with one of our Osmo’s with the Zenmuse X5 or X5R, you’ll love the quality you can get with this new piece of technology!
FREEFLY SYSTEMS MŌVI M15
You will be so surprised when you pick this stabilizer up at how light it is. With the ability to carry a payload of up to 15 pounds this bad boy can handle almost anything you throw at it including: RED, Alexa Mini, Sony F55, C300 and many many more. When paired with our MOVi controller we have the ability to operate dual mode while controlling Focus, Iris, and Zoom. Also integrating a full cage system your camera will never be more stabilized while running, flying, or cruising. We pair our MOVi with the Connex wireless video system which allows latency free 1080 transmission at over 1500′.
If you need a great camera stabilizer at a low end budget or if you are in a rough and tumble environment then the Ronin is your choice. You won’t be scared to take a few risks with this unit as it is very strong. The Ronin is very quick to set up and can also be paired with our remote Focus, Iris, and Zoom system. The Ronin can carry anything from a 5D, C300 and Red Cameras. Either of our stabilizers can be paired with the easy rig system to lighten the load even more.
The DJI Ronin-S is more than just a miniaturized version of the larger Ronin gimbal stabilizers; it represents a scalable ecosystem for integrating DSLR and mirrorless cameras into professional-grade workflows. The single-handed form factor of the Ronin-S lends itself to lighter camera payloads, up to eight pounds. But don't let its size fool you; the Ronin-S has a lot going on under the hood.
DJI OSMO X3/X5/X5R
These small powerhouse units are the GoPro killer. With assorted mounts we can place this camera almost anywhere for amazing in car, driving, and action shots. This unit also allows you to pick up great walking and running gimbal shots without lengthly set up times which is great for the run and gun groups out there. We find we shoot a ton of behind the scene footage with it is as well, as it is light, small, and easy to operate. We can pair this unit with a couple of camera options so let us know what your production needs
Freefly Tero creates the gliding sensation of a drone but from the ground. Equipped to carry the Movi M15 it can reach speeds of up to 40mph making it perfect for low, slow-moving or fast-moving shots, and dollying shots.
RIG WHEELS CLOUD MOUNT
This is a all-in-one solution and usually requires no additional grip and rigging hardware to implement. Other vibration isolator systems rely extensively on third party rigging and hardware which drastically increases the time necessary to get up and rolling and increases the cost of a working system. The Cloud Mount can be deployed to its standard configuration and ready for your gimbal very quickly. With a small reconfiguration you can change to a ‘sidecar” or “underslung” position. Great for driving shots and B Roll!
The Movi Controller features a precision Pan/Tilt joystick as well as high resolution Focus, Iris and Zoom controls. This wireless remote system allows you the ability to readjust your Movi on the fly. This is the ultimate remote for dual operator mode as well as drone operations.
The most advanced camera movement system is also the most intuitive. With this new MōVI Control method, there are no joysticks, knobs or wheels. Just tilt, pan or roll and the MōVI will follow. Move the MIMIC and the MōVI will follow. It’s so instant and organic that operators can execute complex moving shots with precise framing after just minutes of practice.